Papurau Newydd Cymru

Chwiliwch 15 miliwn o erthyglau papurau newydd Cymru

Cuddio Rhestr Erthyglau

19 erthygl ar y dudalen hon

Musical and Eisteddfod Notes.

Newyddion
Dyfynnu
Rhannu

Musical and Eisteddfod Notes. By Maelgwyn. Several correspondents have written to me on the subject of the copyright of the operas, "The Bohemian Girl" (Balfe), and Maritana (Vincent Wallace), I warned my readers early in the year against singing or playing any piece of music of which Harry Wall held the performing right." Until about a twelvemonth since Harry held the copyright of the "Bohemian Girl," and many a young tenor singer who thought he'd make a mark in When other lips had most likely to pay the penalty of £2 for singing the song without having obtained the kind permission or Harry. Now, however, the Bohemian Girl "is as free as the air we breathe, and anybody may sing the solos or perform the whole of the music if they are inclined to do so. The libretto is, however, still" protected," and before the entire work can be given, permission must be obtained from the copyright holder, who lSJ however, not our old friend Harry. Harry has received another hea-vy blow during the past month. On the 15th of November the performing copyright of "Man. tana fell in, and now the work is as free as the Bohemian Girl," except as regards two of the songs, namely, "Scenes that are brightest" and "In happy moments." These are two of the most popular numbers in the whole work, but they were not in the opera when it was first produced. They were added at a later period, and thus for a short time longer they must be regarded as the property" of Harry Wall, but the other beauties of the work, such as Let ms like a soldier fall," There is a flower that bloometh," &c., may be sung in public by anybody who oan sing them without fear, favour, or affection," as the coroner says. I have just a word to pen about Scenes that are brightest," but before I do so let me impress upon those of my readers who intend giving a performance of that opera that they must not allow the two copyright pieces to be sung without obtaining the written permission of Harry Wall, which, of course, cannot be obtained without a fee." We are likely to see very shortly another legal action in which Harry Wall will appear as the plaintiff, but the defendants will not be poor amateurs who have been dragged up before the beak for singing some little gem of which Harry held the performing copyright. The defendants will be no less persons than the publishers and editor of the Musical Budget, a popular little penny monthly. I said that "Scenes that are brightest was still prohibited—I beg pardon, I should have said protected. Yet it is published on the very first page of the Musical Budget, without a single line of caution to the amateur singer. Now, the editor of that little magazine is a very clever man, who knows as well as I do that the song is not public property, and yet he publishes it. How is this ? I confess I do not know, but 1 think I can give a pretty accurate guess. It is in order to provoke a law suit. The little Budget has always been a warm friend of the amateur musician, and it has more than once published a list of the works of which Harry Wall holds the "performing rights." Ne'ther has it hesitated to tread on Harry's toes now and abain-so that it is easy to see there is uo love lost between the two. We may be sure that "Scenes that are brightest was not published in the Budget before legal advice had been taken. Nevertheless, Harry may com- mence an action. Of the many eisteddfodau to be held in America at Christmas time, the most important will unquestionably be that which is announced at Pittsburgh CPennsylvania) on Boxing Day. The chief choral competition will be for a prize of £100, and the test piece is to be the ever popular, "Thanks be to God,"fromMendelssohn's "Elijah." There will be a second choral compe- tition for a prize of fiSOjthe^estpioceto be "Arise, all ye nations. lwenty pounds will be given to the choir of male voices that shai/best- render Ciro Pinsutl's "Good nigbt, beloved," and there will be a number of less important contests, including a sight-singing contest for a prize of four dollars, aud solo competitions for soprano, alto, tenoi, and bass singers. The pnz*j will be five dollars in each case. Unless my memory plays me false, this is the most important eisteddfod ever held in America, and I hope it will be a great success. I find that the disappointment in musical circles is universal, consequent on my announcement a fortnight ago that no eisteddfod will be held at Poutypool next Easter Monday. Since it has been found impossible to shake Captain Bevan from his reluctantly-made decision, the attention of choir leaders has once more been turned to Abergavenny, where it is believed an important eisteddfod will be held at Easter. At present I have no precise information on the sub- ject, but I think I may safely hazard the opinion that in any place where a good sum is given for the chief choral competition, a, large number of choirs will certainly be found ready to do their best to win it. When I first heard it. stated that Mr William Hughes, A.C., of Dowlais, had got together a large body of singers in order to give a performance of Alexander Feast" in the spring, I own I did not believe it; but it is true all the same. The choir, 1 am told, numbers amongst its members some of the best voices in the town,and it is in every way a worthy successor :)f the old harmonic society. It is stated that the choir intend taking part in the chief choral competition at the Wrexham National Eisteddfod next year, but I think it will be as well to wait for a few months before we regard this resolution as final. From Messrs Hughes and Son, Wrexham, comes a parcel of very gjod Welsh songs suitable for tenor singers. "Myfanwy" is a sweet and easy little love song, more suited tor home singing than for the concert room. "Maonghalonyn .Nghymru instinctively reminds us of "Lochaber no more," and is but little inferior to that justly popular old melody. "Yr hen Gymraeg i mi is a bold and vigorous patriotic song which has the additional merit of being easy. Yswain y Glyn" is a splendid little ditty, the words and musis of which are written in a popular strain. It will most certainly become a favourite with any audience which hears it. "Boed yspryd fein Cyndadau is another pretty easy patriotic song which will prcve very "taking" at popular entertainments. "Roedd ganddi goron fiodau" will be found somewhat trying to the voice of the-singer, but it will be well worth learning, as it has many good passages. "Merch y Capten" is a delightful song with plenty of variety. When well sung it will "bring down the house." "Can y Meliuydd" is conceived in the very best style by Gwilym Gwent. It has a charm which is all its own, and its sweetness and vigour ought to win for it a whole host of friends. "Gwenfron" is a pretty and un- pretentious little love song. "Y Liongadriiiiad" is by far the most important Welsh song that has been written for many a long day. Composed on lines set by Henry Russell in bis Ship on Fire," the present piece will not suffer from a comparison even with that deservedly great jong. The vocal music is fiue and expressive without being difficult, whilst the howling of the wind and the roar of the angry sea in the,3ccompaniment are fine. It is a noble song in every respect. Occupying thirteen full pages and in both nota- tions, it is sold for 61.—All the other songs are published at the same price. From J. B. Cramer and Co., 201, Regent-street, W., come some good things. J "Iuez," "Little Shepherdess, and Aimond Bjossom" are three more pretty waltzes. For gentle flowing melody the second is the best, although it has little of the flpri rhtliness of the other two. For variety they could hardiy be beaten. "Honw from the Wars is a good song for bass or baritone, the nature of which is sufficiently indicated by its title. Of a bold and semi-humorous character is Long- sboraman," for bass or baritone. My Boy is beautiful love song with a charming refrain, by Pinsuti. "Sweetly sleep," by lhe same composer, is one of the best serenades of the season, (2s. each.^ ANSWERS TO CORRESPONDENTS. —" One of your constant readers."—How do T know that what you say is true ? At least I should pay no atten- tion to what you say until you furnish me with your name and address. 'Maelgwyn' will not open his column to clap-trap.—" j^rnold Davies."— You d > well to proceed cautiously in the matter. Read the N^es this week and you will find an answer.—" 222."—Spontini was one of the most impassioned composers who ev^ef; lived. I cannot tell you where you can obtain his chief works, which were 1^ jfestale » and Cortez."

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