Papurau Newydd Cymru

Chwiliwch 15 miliwn o erthyglau papurau newydd Cymru

Cuddio Rhestr Erthyglau

9 erthygl ar y dudalen hon

Aberdare and District Photographic…

Newyddion
Dyfynnu
Rhannu

Aberdare and District Photographic Notes. BY U ROLLO. n Cam afraid that this Summer, as far as Photography goes, will not be held in sweet remembrance. A continuance of the weather conditions will cause every cue to devoutly consign the memory of the wretched period into that grave of oblivion that is so conveniently kept for such purposes. Still there has been one redeeming feature which has not, I trust, escaped the earnest worker and seeker after pictorial truth, and I wish this week to hang my cloak of optimism upon that peg. I do not think that I have ever wit- nessed during the lengthy period that I have devoted to the study of our gentle art a greater succession of fine sunsets than ha,s been in evidence during the present season. The continued rain, accompanied with the usual clouds, has been the cause, I have not the sl'ghtest doubt. Moreover, the sun has on a great tiumber of days gallantly shone through towards the end of the day, with the re- sult that the sunset effects have, been gorgeous in the extreme. On some evenings the effect has been very striking, and if one is in the habit of studying the, cloud formation, it will have given cause for much thought. If the study is not taken seriously, still I venture to think that all my readers must have been deeply impressed with the phenomena, for there is nothing just like it in Nature's Book. The glorious pictures are openly displayed in all the entrancing colours, that no artist, how- ever skilful, can ever hope to portray and exhibit to a throng of his admirers. Nature is very bountiful, and even prodi- gal in her favours, and we alone are to blame if we do not accept her offers. To the photographic pictorialist these minsets are extremely valuable, and op- portunity should never be lost in taking advantage of these sublime subjects. Rarely can they be added to a landscape, unless the scene has been especially se- cured for the effect; yet they make such pretty pictures of themselves that per- haps I shall be pardoned for devoting such a large space to the subject. We are very well placed for securing sunset pictures in this neighbourhood, as there could not possibly be a better or more easily reached place than the top of the Graig Mountain for exposing a few plates when the mood takes us. It is certainly a climb, but was there ever a thing worth securing that was not worth a little trouble? In fact I think we ap- preciate a thing more when we have to expend a little energy or cash in securing it, and this applies to our photographic work. One may secure a pretty scene or a unique subject, but if it is thrown at us, so to speak, we rarely value it at its true worth. Thus I think that when we have carted a heavy camera up to the top of our guardian mountain and been suc- cessful in securing some grand effects, we shall certainly think very much more of them, than we should if the negatives could have been secured at no coat of energy or ,time to ourselves. There are several things to think out before we can seriously hope to the perfect pictures that we so ardently desire, and also we should have some sort of idea as to what procedure we shall have to follow to secure the fleeting effects. It is not easy to convey exactly in writing how to set about the work. One thing we may assure ourselves upon. It is very necessary that we must use a camera a size larger than the one we generally use for our landscape. How- ever well composed our cloud effects may be. it is not always easy to fit them to a landscape picture, and it certainly gives us more scope to adjust the two nega- tives when the cloud negative is a large one, that is a size larger than our land- scape negative. However, if we have cnly one sized camera, to our name, we need not be discouraged. A very good way to overcome the chance of our two negatives not exactly blending into one harmonious whole is to take a. series of consecutive exposures from a slightly different standpoint each time, and we be pretty confident that when we come to the combined printing stage we sliall find at least one negative that will give us what we want. Again, I think that to use any but a tttand camera is only courting disaster, for while it is possible to secure fairly good effects with the ubiquitous hand camera, it is not to be, recommended, and 1 venture to assert that the worker who has the advantage of a good focussing xl-and camera. will outstrip easily the man who has to rely upon his hand camera, for each and every one of the ex- posures he may make. We must use an Isochromatic plate, and one that has a good amount of lati- tude is the one to select, such a one as the Barnet Extra Rapid. Don't be startled at the speed of the plate recom- mended; I know it is usual to recom- mend a slow plate for this work, and a fast shutter exposure. It has never answered in my hands, and I am not ready to recommend a thing that I can- not do. or use myself. Use the plate, or a similar one to which I recommend, and you will not be far wrong. If you have a screen adapted to the plate you 1'.e using, so much the better. It is not absolutely necessary to use one, but I find it gives me more control with the plate I recommend, as it slows the ex- posure somewhat, and I am inclined to think that the slow speeds on every shutter are more reliable than the faster ones. Having got our plate and camera into position, and focussed as sharp as possi- ble, we proceed to give at the largest aperture our lens possesses, an exposure of l-25th, or that speed as marked ort the shutter, which means about "half a second. After securing all the exposures we care about we must develop in a dilute solution, and if we are using the favourite Pyro-soda one, a word of cau- tion is desirable. The idea is to make the developer give sorter effects in the negative, and while it is only necessary to add an equal amount of water extra to the usual quantity given in the formula of most reagents, this does not apply to Pyro-Sodo. In diluting Pyro-Soda to make it work in the manner indicated we should not use plain water, but a sclution of Soda Sulphite, and a 10 per cent. solution at that. Bear this in wind, and if we are using 4 ozs. of de- veloper for our plate, then to dilute it properly we should use 2 ozs. normal developer, and 2 ozs. of the Soda Sulphite solution. Our negatives should then come out clean and soft, with a wealth of detail, not dense, and of a delightful printing depth. Do not carry development as far as usual. Say a factor of 6 becomes a factor of 4. Print on a cream crayon Bromide paper, and our picture should be-all we desire.

Miners' Wages.

----MertHyp Board of Guardians.

TALGARTH AND BRIDGEND ASYLUMS.

Advertising

Premier and Sir W. T. Lewia.

Labour Jottings.

Advertising

TALGARTH AND BRIDGEND ASYLUMS.