Papurau Newydd Cymru

Chwiliwch 15 miliwn o erthyglau papurau newydd Cymru

Cuddio Rhestr Erthyglau

28 erthygl ar y dudalen hon

THE KUS;GAL FtSTI-VAL. ———.__

Rhestrau Manwl, Canlyniadau a Chanllawiau
Dyfynnu
Rhannu

THE KUS;GAL FtSTI- VAL. ——— OPENING CONCERT AT SWANSEA. SPLENDID SINGING AND PLAYING. (By" Harmonic. n) The W I .1 (G' tI. ater "Lily (Goetz) ifle Song of the Spirits (Schubert) to Rhapsody (Branms) Miss Manuelle. Mr. E. L. Morgan, B Choir and Orchestra. i sj. ymphony No. VII. in A (Beethoven) Orchestra. Where Corals Lie" "Sabbath Morn at Sea" .(Elgar) Miss Maauelle. (Debussvi "L' Apre?-M?di d'UB Faune" (Debussy) !JalIet Air in G (Selm belt) Welsh ..Rhapsody .(Cerman) Orchestra. Conductor .Sir Henry Wood. • CJhoivmaster Mr. Ll. R. Bowen. A very large if not a crowded udience as- embled at the Albert Hall, Swansea, on Monday night for the opening concert of the second South Wales M usical Festival. The choral items were first taken, and The Water-Lilv" had pride of place. The libretto of it is full of sickly, sugary German •sentimentality; its story Is the love of a fi.-jher boy for a. watee-lily that he plucks, llbereby rousing the wrath* of the ruddy full anoon, so wrathful of eye," which raises a. atorm. One fails to see why such a con- L' f vulsion of Nature should be the result of' plucking a water-lily, and the tale recalls the profane comment of the Jew who heard resollnding clap of thunder as he com- Rienced to consume a pork pie. Libretto itpart. the music is replete with storm and fire in some parts, and tender lyric charm elsewhere and it gave the Swansea Male I Cttoir the opportunity for some thrillim; paging, albfeit the enunciation was not 1111- Wr-ably distinct at the opening. Mr. E. L. ¡ Morgan sang the solo effectively and con- acientiously. But.when the grave, sweet strains of Schu- j bert sounded in the opening bars of •" THE SONG OF THE SPTRTT8 fif work in which Sir Henry Wood yielded The baton to Mr. Llewellyn Bowen) on" was ¡ lifted -'higher, atid was conscious that the choir was coming to grips with its work. Schubert was a golden-throated, heaven- sent singer, and into this work he has put .some of his tenderest inspiration and most graphic orchestration (notably in the rough, harsh chords that accompany the sentence, Rugged boulders in vaiii oppose it"). The choir revelled in the work and the audience revelled in the choir It was magnificent to "hear the ease and the rounded smoothness of their phrases, the poetry and insight of their singing that reflected every changing nuance. Their rendition was steeped in romance yet high as they climbed, they rose to the pinnacle of achievement that night in the Alto Rhapsody yes, the pinnacle, though they had relatively little to do. In the rhapsody one felt the touch of the master- hand, the presence of a rugged, dominating j figure. It is strange, wild, bitter music; changing at the close to a tender invocation, tiweet and gentle. The music is, like its creator, rugged yet it enchains one and daunts one with its strong, wild beauty. The solo was superbly sung by Miss Ma.nuelle, "whose voice was brilliant and interpretation strikingly eloquent. The choir supported her as superbly, and a tempest of applause. fold that in the rhapsody Mr. Bowen, his singers, and Miss Manuelle, had made THE HIT OF THE EVENING. To continue witn tae singers. Elgar's beautiful lyrics, "Where Corals Lie" and .j Sabbath Alorn at Sea "songg of command- i-Áng: Wty-r.ecei veri from. 1\1 iss Malllelle a Jtv rendition as eloquent and as delightful. though in a diverse fashion, as hew work in the Alto Rhapsody. She was compelled to grant an encore the one she chose was the ;simply majestic aria. "The Heavens are Telling." She made a deep impression at Swansea and should go far and prosper in !1CJ" career. Then there was the orchestra, an as- semblage of artistes who represent one of the most beautifully co-ordinated human Tna-chines in the world, with an interpreta- tive genius at the baton. This time the dominant feature cf their playing wa.s not their beauty of tone: it was the brilliant, dazzling rapidity and sureness of their toucti, the polished, effortless ease with which the streams of music flowed or the sharp, abrupt rhythms gushed in jets from string and wind and brass, How many times these players -have played under this baton the pieces they rendered at Swansea-tbe Seventh Sym- I phony, the Apotheosis of the Dance," the Ballet Air from Rosamunde," Debussy's prelude (one of the few enduring contribu- tions to music made so far bv twentieth cen- tury composers), and the Welsh Rhapsody, wbichsounded. to-night in such company marvellously noisy and full-blooded and ro- bust-probably they could tell with diffi- eulty. But once a-gain for a fleeting hour they threw open the gates and let us peer into the enchanted wonderland that is called •• tin by the work of these masters of rm4nrlv ii. THE BEETHOVEN SYMPHONY. ? The listened to the long and ex- h .th an ex- acting symphony with a oloseneas of atten- :,V tion that speaks, of the progress made by aymphonir, music at Swansea; and Sir Henry "h ¡] 01 enry his orchestra had to rise and bow again and again their acknowledgments of the ova- tion that rewarded them. The symphony is ompact of lilting, tripping tunes and Thythms-the close is a very whirlwind of them, an intoxication of dancing, tingling music aglow with the delirium of frenzid movement, a thing of wonderful dash and fire and electric speed. It has, too, its grave and moving moments of sombre, elegiac I Tnelodv; and it is veined with that "linked sweetness, long drawn out," that Beethoven invented after many hours of wearying, ex- haustitrg toil. In Debussy's piece we had a widely dif- ferent but deeply inteesting composition. „ Hie harmony is amongst the last words in modern studies and experiments in har- rnony. The music thrills and rustles, as if "With the passing of a summer breeze through the drooping verdure of some forest  drowsing in the sun, and yet it is redolent j "with the atmosphere that is conjnred up by the legends of cold, classic antiquity, and •■ the unreal phantasmagoria born in the inven- tion of Greek and Roman. Debussy's fanci- ful, delicate, elusive harmonies rounded off a programme whose value and interest sus- tained the lofty standard set in the first of these Festival concerts. By next festival it is to be trusted there will be a great representative Swansea choir to enlarge the choral repertoire of the Swan- sea, conceits, and to enable the essaying of the highest works in choral literature. THE MEN AT THE HELM. It should be mentioned here that the k^ahsea Council of the Festival consists of Messrs. Ll. R. Bowen, John Dennis, A. M. James and Sunt. Robcrtti that the chair- inan is Mr. Martyn Thomas the hon. secre- tary, Mr. T. B. Rowlands, of Neath whilst the accompanist of the Swansea choir is Miss Clarion Jones, L.R.A.M. A last word in conclusion the National Anthem at the close was clean forgotten! HARMONIC."

[No title]

Advertising

"BY FA It THE BEST." 1 - !

I.PROMISES WELL.I

! IFISHGUARD EXRRESS. :

IBADLY INJURED LOUGHOR CHILD.…

! PEACE AHEAD. I i- - I

MEXICO ACCEPTS. ! --!

I 8.000 IDLE. ! I

I ? " HOPING FOR RAIN." |

I— I STEAMER 0? 1:H GOO-DWI.…

STRIKE OFF. -..-.

STRIKE MASSACRE. .———.——-

THOSE J.P/S.

Advertising

TROOPS & PIRATES: i———..

I ■ ! "BATH AND WEST."I

[No title]

I -" 1549000 "I I —.■ 1.1…

I KICKED .1BY A MORSE.I

i I I ! FOOTBALL ENTENTE.…

im.— 1 * ! D;PAT;N-;¡::R.…

[No title]

WILLIAMS—HEM MEN.

-. WHY ACID STOMACHS ARE II.DANGEROUS.-

" TILL MIDNIGHT.",

Advertising