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55 erthygl ar y dudalen hon

I Mr. Forbes-RobertsonI

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I Mr. Forbes-Robertson I DISCUSSES JEROME'S PLAY. I i Mr. Forbes-Robertson arrived in Cardiff on Suaiday afternoon to fulfil his engagements throughout the week at the New Theatre, where he will appear every evening, and at a matinee on Saturday, in his latest, and, perhaps, his greatest euooess, "The Passing of the Third Floor Back," while on Tuesday afternoon he will speak at the Cory-hall on Woman's Suffrage. One of the most intellectual actors now on the stage, the visit of Mr. Forbe-s-Eobertson on the pj-esent oocasion is particularly welcome after a prolonged absemoe of some eight years, though his wonderful Hamlet" is still a treasured memory to many a local playgoer. This visit is, however, confined to the presentation of only one play, Mr. Jerome's remarkably successful and popular "Passing of the Third Floor Back," which Mr. Forbes-Robertson takes to America very shortly. "Yes, I sail towards the end of the month by the Mauretania, he said to a representative of the Expirees on Sunday night, my visits to Cardiff and Bristol being the only two weeks left. I am very glad to visit South Wales again, and have heard much of your beautiful New Theatre, which it will be a pleasure to appear in. 'Absence makes the heart grow fonder,' and I can only hope t,h-&,t Cardiff playgoers have such pleasant memories as myself of my last visit. As you yuggost, it is, perhaps, particularly appro- priate that I should tail for America on a boat which is the pioneer of a new enter- prise, and promises to open up a wide and quicker intercourse between the old world and che new. Many of my sympathies are American, I or, should I say, Anglo-American, and I have paid four happy and successful visits to that -re a? country, to whil' i ?I ssf 11 1 VIS, t -s to that I great country, to which I a.m also indebted for my wile (Gertrude Elliott). Ivly first visit to the States took place many years ago, when I appeared with tha.t beautiful and charming actress, Mary Anderson (now Madame de Navarro) as Romeo' to her Juliet,' 'Orlando' to her 'Rosalind,' and 'Pygmalion' to her 'Galatea,' 'Ingomar,' 'Claude Melnotte,' and Leontes in 'A Win- ter's Tale,' being amongst other parts I played in her company. To my mind, she was not only a beautiful woman, but a great actress, and, like other beautiful women, perhaps did not get as much credit for her conspicuous talents as otherwise might have been the ease. "To .revert to America. On my second visit I played 'The Light that Failed' anri 'Hamlet,' after a lapse of many years, and the third time was again persuaded to appear as the moody Dane. while on my last visit 'The Merchant of Venice' and 'M,ce and Men' were played in turn. This time I am relying entirely on Mr. Jerome's successful play, in which I have already appeared over 300 times. The Paesing of the Third Floor Back,' said the actor-philosopher, reflectively, "is both simple and symbolical. It has a spiri- tual significance, which I was delighted to find appealed to the hearts and minds of our audiences everywhere to an amazing degree, as much shown by their bea-utiful silence as by the innumerable letters of appreciation I have received from all kinds and condi- tions of people. Mr. Jerome's play is decidedly one with a motive—a purpose, if not precisely a mis- sion. Yes, the power of the stage is becom- ing more and more pronounced. Dickens and other great writers have written novels with a purpose which have done great good, while the playwrights of to-day seem to have discovered the same philosopher's stone. I was at first very nervous as to the reception "The Passing of the Third Floor Back" would obtain. The theme is 80 original, so daring, and at the same time so delicate, that I had doubts if the public would be attracted. But that they have been is amply shown by its six months' suc- cessful run in London and its reception since on tour. I am gratified, too, to think that the play may help to raise the conception of the stage in the thoughts of others, and inspire loftier ideals and bring a little more beauty,, perhaps, into the lives of those who see it." "What do you think of the general ten- dency of the drama and its stage present- ment?" I have seen many and great changes in the days since I first became an actor. Nothing could be more remarkable than the enormous improvement that has taken place in the tone of the stage, and I do not think that the Censor should be altogether dis- pensed with. In acting, too, as a.n art there has been a great advance, I think. We have not, it is true, with us to-day men who stand out like giante, yet the general level of excellence has been raised to a greater height. In my early days there were actors who stood out from all the rest like great, towering pirLnaoles-Phelps, M'Cready, and others. But I am afraid that the day of pinnacles is past. It is difficult for a man to stadid out above his fellows as Irving stood out in his day. Perhaps the reason th-at there is so little creation is that there is go much criticism!"

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